
How to Draw Signs and Lettering in Your Urban Sketches
Plain letters first, chunky letters second, and always check the spelling.
Read more →Tips, inspiration and stories from the world of urban sketching with artist and educator Ian Fennelly.

Plain letters first, chunky letters second, and always check the spelling.
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Perspective does most of the work in a street and almost none of it in a field. Here is what Ian does instead, and the four ways he separates a foreground from a background.
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The lessons that came back again and again from the hardest scene we have set.
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Most sketchers move straight to a new subject. Here is what the second attempt gives you that the first cannot.
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Urban sketching is about what you notice, not where you sketch. A photograph takes some of that out, and you can put it back.
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Why your quickest sketches often have the most life, and how to loosen up.
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Five days, five villages and sketchers from around the world. Here is what we took from the Cheshire retreat.
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Animals move, and for a lot of sketchers that is where the sketchbook closes. Here is how Ian catches the life of a subject that won't hold a pose.
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All that steel, stone and perspective can make a bridge feel impossible to draw. It isn't. Here's how Ian approaches any bridge, from a local footbridge to the Brooklyn Bridge.
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Learn when to mix watercolour on the page for life and when to mix in the palette for control, with real examples from our urban sketching courses.
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The Only Watercolours a Beginner Really Needs
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How to find the big shapes hiding beneath all the detail.
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Most of us draw with a pen and colour with a brush. Here is how Ian draws with the brush too, the rigger he reaches for, and why it loosens everything up
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Muddy watercolour is rarely about your paints. Here is why it really happens, and how to keep your colour fresh.
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How to Sketch a Scene That Won't Sit Still
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Flat drawings usually have one thing missing: perspective. Here's how Ian teaches it on a steep cobbled slipway in an old smuggling village.
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A sketching retreat ends and the hard part begins: keeping it going at home. Real takeaways from Urban Sketch Course members, plus a simple way to make the lessons stick.
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Seven Days of Colour, Community, and Confidence Across the Mediterranean
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You don't need to travel far to find five completely different subjects. You need to know how to look.
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What Makes Sketch Italy Different from Any Course We Have Done Before
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Why tonal value, not hue, is the secret to sketches that actually hold together – and how three colours can do the work of fifteen.
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Learn how to pick the right scene and avoid overwhelming subjects with practical urban sketching composition tips.
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Wales or New York? Beginners or Quick Sketch? A friendly guide to choosing the urban sketching course that suits you.
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Your high street is full of extraordinary sketching subjects hiding in plain sight. Learn how urban sketching transforms the ordinary into something gorgeous.
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This article reveals why the very things that make old pubs charming – the sagging timbers, faded signs, hanging baskets, and chalkboards – are exactly what make them such forgiving and satisfying sketching subjects that are perfect for beginners.
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Every building you walk past is full of signposts and junction boxes. The only difference between them is whether you have learned to tell which is which.*
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One Point, Two Point and Three Point Perspective Explained
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A simple guide to the rigger, flat and round brushes used in urban sketching, and how each supports washes, detail and water control.
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A sketch critique helps because it shows you what you cannot easily see for yourself while you are drawing. A fresh set of eyes can spot the small adjustment that makes the whole sketch feel clearer, calmer, and more convincing.
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Using just two colours and white might sound limiting, but it can transform your sketches. A limited palette helps you focus on tonal values, create better neutrals, and reduce perfectionism by simplifying your colour choices.
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Learn how the Safari Sketch Course differs from Urban Zoo by placing animals within their landscapes, not in isolation.
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How each workshop builds better sketching decisions through control, context, and character.
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Four weeks, one plan. Outline, colour, tone, detail. Key lessons and student insights from our live sketching experience.
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Why do my Tombow brush pens leave streaks? There is a familiar moment when you reach for a grey brush pen. The drawing feels settled. The lines are behaving. The watercolour has dried nicely. You are only trying to add a little weight, a little calm. Then the tone does not behave as expected. Instea
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Using Tone, Temperature, and Visual Variety
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Struggling to make time for urban sketching? Learn how even 10 minutes a week can boost confidence, build habits, and reconnect you with your creativity.
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Struggling with muddy or overworked watercolours? Learn a softer watercolour brush technique inspired by Ian Fennelly and practise it step-by-step with support inside Urban Sketch+.
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