
How to Draw Signs and Lettering in Your Urban Sketches
Plain letters first, chunky letters second, and always check the spelling.
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Why Your Landscape Sketches Look Flat (And The Fix)
Perspective does most of the work in a street and almost none of it in a field. Here is what Ian does instead, and the four ways he separates a foreground from a background.
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Our 4 Week Urban Sketching Experience: What Riomaggiore Taught Us
The lessons that came back again and again from the hardest scene we have set.
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Why Sketching the Same Scene Twice Teaches You More Than Moving On
Most sketchers move straight to a new subject. Here is what the second attempt gives you that the first cannot.
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Is Sketching from Photos Still Urban Sketching?
Urban sketching is about what you notice, not where you sketch. A photograph takes some of that out, and you can put it back.
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Why a Quick Sketch Has More Life
Why your quickest sketches often have the most life, and how to loosen up.
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Inside Our Cheshire Villages Retreat
Five days, five villages and sketchers from around the world. Here is what we took from the Cheshire retreat.
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How to Sketch an Animal That Won't Hold a Pose
Animals move, and for a lot of sketchers that is where the sketchbook closes. Here is how Ian catches the life of a subject that won't hold a pose.
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How to Sketch a Bridge Without Getting Lost in the Cables
All that steel, stone and perspective can make a bridge feel impossible to draw. It isn't. Here's how Ian approaches any bridge, from a local footbridge to the Brooklyn Bridge.
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When to Mix Watercolour on the Page vs in the Palette
Learn when to mix watercolour on the page for life and when to mix in the palette for control, with real examples from our urban sketching courses.
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Ian Fennelly's 8-Colour Starter Palette
The Only Watercolours a Beginner Really Needs
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How to draw a complicated scene without drowning in the detail
How to find the big shapes hiding beneath all the detail.
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