Wellbeing

Showing Up to Sketch: Why Small Moments Matter More Than Big Plans

Struggling to make time for urban sketching? Learn how even 10 minutes a week can boost confidence, build habits, and reconnect you with your creativity.

If you have ever felt a quiet sense of guilt for not sketching often enough, you are certainly not alone. Many people believe progress only counts if it happens in long, uninterrupted sessions. The truth is much kinder than that.


Very often, real progress begins with something far simpler. It begins with showing up to sketch, even briefly. A few minutes with a pen can be enough to steady your eye, warm your hand, and remind you why you started in the first place.

Not because you planned it perfectly.
But because you chose to begin.

Yvonne Repping

A Quiet Sketch by the Bay of Fundy

During Week 2 of our 4-Week Sketching Experience, a sketcher named Renate shared a comment that quietly stayed with us.

She described herself sitting by the Bay of Fundy on a chilly December afternoon. Her sketchbook was open. There was hot soup nearby, kindly made by her husband, and a rare glass of wine at her side.

She was not chasing a finished piece.
She was not trying to impress anyone.

She simply felt proud of herself for showing up to sketch.

No pressure.
No grand plan.
Just a small moment she chose for herself.

Photo of an art workspace showing a tablet with Edinburgh street reference photo, watercolor paints, wine glass, and a sketchbook with a student's colorful urban sketch of the same Edinburgh scene, by student Renate R-S.

Why Showing Up to Sketch Is Enough

There is something deeply moving about moments like that. Perhaps because they remind us that urban sketching does not sit apart from everyday life. It fits into it.

Every time you open your sketchbook, whether for ten minutes or an hour, you are quietly saying that your creativity matters. You are giving yourself permission to pause and observe.

Over time, those small moments add up.

Your hand loosens more quickly.
Your eye begins to notice shapes, light, and shadow more clearly.
You start to see colour and composition in places you once walked past.

That is progress. Even if it feels modest, it is real.

Student artwork by Wendy K – Urban Sketch Course

How to Keep Showing Up, Even When Life Is Busy

One of the most common questions we hear is this:
“If I only sketch once a week, does that really count?”
Yes. It does. More than most people realise.

Showing up to sketch regularly, even in short bursts, builds rhythm. It keeps your tools familiar in your hands. It keeps you connected to your creative voice, which can easily get lost in the noise of daily life.
You might be:

  • Watching a recording quietly at your kitchen table.
  • Sketching live alongside others for company and encouragement.
  • Or picking up your pen for ten minutes before bed.

Each time you show up, you are strengthening the habit. That matters far more than the length of the session.

An ink and watercolor urban sketch of Victoria Street Edinburgh by Urban Sketch Course student Cathryn A, photographed in a sketchbook, featuring stone buildings, colorful shop facades including a Gallery and Museum, the red Cubitts building, and a vibrant red cobblestone foreground

Live or Replay? Both Paths Work

Some people thrive on sketching live with others. They enjoy the shared focus, the gentle energy of knowing others are sketching too.

Others prefer the calm of a replay. Pausing when needed. Making a cup of tea. Rewinding a section. Working slowly and quietly.

There is no better option.
Both paths lead to the same place. You showed up.

Student artwork by Asmita K – Urban Sketch Course

Building a Sketching Habit That Feels Supportive

If you are following a workshop right now, live or recorded, it can help to treat it as a gentle standing date with yourself rather than another task to complete. A few small adjustments can make showing up easier:
  • Block the time in your calendar, just as you would any other commitment.
  • Lay out your sketchbook and pens ahead of time so there is no barrier to starting.
  • Make yourself something warm to drink, or something comforting if that helps you settle.
  • Begin without expectations. You do not need to finish.
  • Stop when you feel ready. Twenty minutes still counts.
Half an hour of relaxed sketching is worth far more than hours spent feeling pressured or behind.
Pen and watercolor urban sketch of a narrow street with colorful shopfronts and a tall church spire, by student Andrea K.

You Are Already Doing More Than You Think

Ian Fennelly often says that the hardest part of sketching is not finishing a drawing. It is starting one.

Many people never begin. They want to, but life gets busy, confidence wobbles, and days slip past.

So when you choose to show up, even briefly, you are already doing something meaningful. You are choosing curiosity over perfection. Presence over pressure.

That is how confidence is built. Quietly and steadily.

carolyn G Set up – Urban Sketch Course

One Quiet Win at a Time

Renate’s moment by the Bay of Fundy was not about skill or outcome. It was about choosing presence.


She made a small space for her sketching and allowed herself to enjoy it. That is where the real value lies. Not in the finished page, but in the act of beginning.


So if you show up this week in any form, live, recorded, short, or unplanned, take a moment to acknowledge it.


Those small, quiet wins are what help a sketching habit last.


And if you feel like sharing, let us know one small thing you have noticed in your sketching lately. Often it is the smallest observations that keep us moving forward.

Renate R Pre Sketch

Feeling inspired?

Showing up to sketch starts with giving yourself permission to begin. If finding time for your art still feels tricky, this article offers simple, realistic ways to build sketching into everyday life, without pressure or guilt:

Make Time for Urban Sketching

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Ian Fennelly with students on an urban sketching retreat

Ian Fennelly

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Ian Fennelly is the artist and teacher behind Urban Sketch Course. His courses are filmed on location and in the studio and teach his Layers of Looking method, taking sketchers of every level from a blank page to a finished, confident sketch.

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