- Wiltshire, UK

Urban Sketch Course Experience
Karen joined the Beginners Course and Rural Sketch Course to break free from precise tools like rulers, pencils, and erasers. She was drawn to the opportunity to create lively, vibrant artworks with a looser, more intuitive style.
Karen found several aspects of Ian Fennelly’s courses particularly impactful:
Bite-Sized Lessons: “The huge variety of topics covered and the way they’re broken down into manageable chunks is fantastic. I can dip in and out to fit sketching around my schedule.”
Creative Freedom: “I love how imprecise it can be and still create amazing artworks.”
“"I love how imprecise it can be and still create amazing artworks. I also love the huge variety of topics a covered and how each is broken down into bite size chunks and that I can dip in and out of all of it to fit around my own time."”
– Karen Beaney

Urban Sketch+ Membership
Karen’s membership in Urban Sketch+ has further elevated her skills and confidence. The community and resources have encouraged her to tackle projects she once avoided and to seek out rich, detailed scenes for her artwork. Since joining the courses, Karen has transformed her sketching process. She now approaches interesting, complex scenes with confidence, free from the constraints of precise tools.“"I’ve loosened up and now tackle projects I would naturally stay away from. I now look for scenes with lots of interesting things to paint/sketch rather than finding simple things to sketch."”
– Karen Beaney


“"I have loved getting to know and sketch in person with Ian at the three live workshop events I have participated in with him. He is a joy to be around and probably the most positive, encouraging and genuine person I know. Just a super delightful guy and super talented artist."”
– Scott Peterson
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- More Success stories -

How to Draw Signs and Lettering in Your Urban Sketches
Plain letters first, chunky letters second, and always check the spelling.
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Why Your Landscape Sketches Look Flat (And The Fix)
Perspective does most of the work in a street and almost none of it in a field. Here is what Ian does instead, and the four ways he separates a foreground from a background.
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Our 4 Week Urban Sketching Experience: What Riomaggiore Taught Us
The lessons that came back again and again from the hardest scene we have set.
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Why Sketching the Same Scene Twice Teaches You More Than Moving On
Most sketchers move straight to a new subject. Here is what the second attempt gives you that the first cannot.
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